Writer Obscura

Tina's Writing Notebook: Plot Sketches, Serials, and Gay Things.

TAGS: Present Tense, Celtic Britain, Druids, Sexual Violence, Serial Fiction, Re-Post

VI – The Retreat

The first raindrops hurt—a warning.

His wooden owl mask sits on the rock, as lifeless as his father, and all that remains of his warpaint is a blue cloud in the brook. Clean of the fight, he sits upon the pebbled rivulet and gives himself a tug so the current flushes his foreskin.

The white horse with a dark sliver-moon patch on her forehead approaches for a drink, and after taking her fill, she retreats to the trees. He rises from the stream and picks away stones embedded in his buttocks. He reaches under the nervous mare’s barrel and unbuckles the saddle.

“You are no longer a Roman citizen.” Aedan pats her coup. “You will go about naked as Epona intended.”

The mare lifts her muzzle and lets out a snort.

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TAGS: Present Tense, War Violence, Roman Republic, Celtic Britain, Druids, Serial Fiction, Re-Post

V – The Stour Reeds

Night marches are perilous without a torch or stars.

Scipio and his men ride ahead of the legions until the roar of wind-swept trees replaces the clopping of infantry boots.

Planus drew Fortuna’s lot, putting him and his horsemen behind the columns, minding provisions carts and the camp servants. Titus earned Fortuna’s love; he and his equestrians guard the beachhead.

A wall of reeds appears where the grass ends, its chorus of insects and amphibians cavorting in a desperation that drowns out his thundering heart. Somewhere within the bushy-topped reeds is water, but entering the wetlands tempts death.

Scipio sends his second, Actus, to ride its length.

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TAGS: Present Tense, Ritual Violence, Consensual Non-Consent, Celtic Britain, Druids, Drug Use, Homosexuality, Serial Fiction, Re-Post

IV – The Set Stage

The high sun makes the sea shine, and from the horizon’s haze comes a shadow, then five, and then ten. Before long, the indistinguishable becomes too many ships to count.

“The Roman wolves paddle through the storm,” says Aedan.

Their charioteer, a short oaf with more muscles than thoughts, grunts softly.

Begat, a crone older than dirt, smirks. “Ships can’t crawl over land.”

“No,” Aedan squats on a rock and studies the fleas nesting in her oily hair. “But ships carry horses hungry for grass, and soldiers thirsty for blood.”

Their bulky escort jogs toward his chariot.

“That one will die first, I reckon,” says Begat.

Aedan agrees. “One of many to greet Dumnorix before we do,”

Laughter fills the space between them.

Rumors from the continent said that Mandubracius allied with the Romans after fleeing his inherited territory. Naturally, the rash Cassibelanus listened to reason when Ciniod, the widow of his former advisor, suggested they send spies to confirm.

Those men and women returned with assurances that the defeated Dumnorix was biding his time until the Romans set sail; he planned to follow in his ships and sabotage their crossing.

The Roman’s arrival confirmed that Dumnorix had died failing.

Wind follows their journey to the hilltop fort.

Never one for close quarters, Aedan rides the chariot’s horses, a bare foot placed upon each of their wide backs. Wind lifts his smock, and the charioteer gawks at his naked ass with curiosity and disgust.

Most men don’t mind Aedan’s gaunt body after tasting his hole; it’s his soul they find unpalatable.

The horses climb the hill, their breaths shallow and violent. They charge at the tall plank gate without slowing; they know the double doors will open. The tree-log panels part long enough to allow passage, then quickly come together.

Inside, old Begat hops off the rider mount and scurries into the shadows to tell her truths.

Aedan hops from the horses and cartwheels past newcomers shining their swords in the sun. He strolls into the largest roundhouse and finds his mother, Ciniod, whispering to her brother over his sand-filled high table.

Taran, the druid, his uncle, and his blood-father, is the chief thinker of this settlement. Plans are drawn with his fingers in the sand, and Aedan glances at them while eagerly announcing the Roman arrival; truth is a wicked stew, and he enjoys serving it.

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TAGS: Present Tense, War Violence, Consensual Non-Consent, Ancient Rome, Gaul, Roman Empire, Homosexuality, Serial Fiction, Re-Post

III – The Calm Before

Roman victory kills more than those on the battlefield.

Like locusts, the legions consume everything within miles. Hungry soldiers ravage crops and slaughter livestock, leaving the defeated unfit for enslavement, to starve without a forest or animals. Rebuilding is not an option when Roman blacksmiths melt every bit of metal, from anvils to plows, for new arrows and spearheads—or in this instance, plank spikes and anchors with chains for Caesar’s new fleet.

Snow dunes ripple between the building yard and their winter camp.

An oak forest once stood where long-house quarters reside, each butchered tree a beam for Caesar’s flat-bottom boats and every branch burning in a barracks stove.

Scipio shares quarters with Titus and Planus, while their three horses reside in attached stables. He kicks snow from his fur boots and enters to find the dark-skinned Titus huddling over a concrete fire bowl, both hands precariously close to its tiled rim.

“How fares your father?” asks Titus, his nappy beard dried by the cold.

Scipio tosses his cloak at the lump that is Planus under his furs.

“Vitus is out of camp looking for another forest,”

Titus wonders, “How many more ships do we need?”

“Five legions and two-thousand cavalry.” Scipio joins his heated space. “We can’t get there on a few biremes.”

Quiet laughter from the lump that is Planus: “His preferred mode of travel,”

Titus pouts. “I don’t like penning my horse below a deck,”

“You can keep your girl company this trip,” says Scipio. “We’ll all be below decks.”

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TAGS: Present Tense, Ritual Violence, Consensual Non-Consent, Talk of Abortion, Celtic Britain, Druids, Drug Use, Homosexuality, Serial Fiction, Re-Post

II – The Owl

His life is defined by how much pain he brings his mother.

Twenty-two years ago, Ciniod, the oldest daughter of Duboni, left her princely father’s house to marry a coastal druid named Fintan. He didn’t know that she got herself caught the previous spring, and when her pregnancy showed, the duped Fintan celebrated his imminent fatherhood.

Her pains began a month early, on the autumnal, and since the unborn babe insisted on coming out ass first, the old druidess tending her pains cut Ciniod to liberate him. She reminds her son of this every time she passes gas because forced farts bring pain.

After peeling the caul from his eyes, Fintan named him Aedan.

Undercooked at birth, he’s a boney sort with alabaster skin and the jawline of a corpse. His fingers are long, his nails bitten to nubs, and his crown of curly black hair looks nothing like his mother’s and everything like her grandfather’s.

On that, he cannot grow hair on his face because his legs and crotch hoard it all. His pouty lips form a natural frown, and the tip of his broad nose is round like a pebble. His narrow feet, calloused from walking barefoot on the shingle beach, are his primary weapons against anyone foolish enough to pick a fight.

A son of druids, Aedan’s education came early, learning midwifery and the inner workings of anatomy from his father. If a druidess, high-born, or marsh girl finds herself caught, Aedan roots it out. He rarely speaks, and when he does, he reveals nothing. This social muteness drives away women but aids men foolish enough to reach under his robe.

Aedan’s taste for a cock up his ass is renowned, but his violent appetites confuse even the most willing warriors.


A long journey north brings him and his mother to her girlhood home on the Tamesas, where the reedbeds shiver and the crickets sing constant songs. The banks lack sand, and the water never waves, no matter how rough a breeze.

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TAGS: Present Tense, War Violence, Consensual Non-Consent, Ancient Rome, Gaul, Roman Empire, Homosexuality, Serial Fiction, Re-Post

I – THE LION

His name is Lucius Scipio Servius, or Scipio, to those who call him a friend.

Scipio stands a foot taller than most men, and his shorn head shines like ripened wheat. His body comes with an unobtrusive amount of muscle, yet these noble traits pale to his large green eyes—magnificent even to his rivals.

His father is Lucius Vitus Servius, and his family owns a vast apple orchard at the foot of the Alps, many miles north of Novum Comum.

Those closest to Scipio after the months became years are Gaius Planus Caesar, Crassus Titus Flavius, and Marcus Castor Junius.

They and Scipio learned their letters and trade before serving the garrison at Mediolanum. Last year, Vitus collected them to purge violent interlopers in Cisalpine Gaul under order from their great Governor Caesar.

However, they encountered migrating women and children, their men lost to northern enemy tribes. What men remained among them wielded no sword with intent, leaving Scipio and Planus greatly disillusioned.

Their melancholy fades on the march to Hispania, where fiercer tribes come in the form of ferocious Gallic hordes. Bloody battles ensue, and most of Rome’s best sons never get to stand before the noble Caesar.

Scipio and his friends survive, and at the end of it all, get handpicks for Caesar’s reimagined Legio X Equestris.

Elevation to the rank of decurio doesn’t keep Scipio from the action. He’s not the sort to watch from the rear flanks—no—Scipio rides in when holes appear along the front lines, swinging his spatha like he swings his cock at the brothel for painted boys.

Still, no amount of bloodshed prepares them for the fight against the Belgae.

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A vengeful legionnaire enslaves the druid priest who murdered his father, bringing chaos to his household on Lake Como.

THE KILL LIST

Berek Kozak was taken from his Polish mother at age 11 by German officials because he fit their ‘Aryan ideal.’ (Not fiction, this happened to children throughout the occupied territories.) They renamed him Boris, but couldn’t tame him and so he endured much abuse. This turned him into a twisted person that made a Kill List that he began acting on around 1954.

Berek reunites with a younger man (Arik Tarski) he met during the war and forges a romantic relationship–unfortunately, he’s still rather twisted and bent on revenge. He and another former kidnapped child (now a man) get sloppy and leave evidence behind at a crime scene in 1960 – and this puts him in the crosshairs of a policeman (Natan Bytner) who knows he’s responsible not just for this death, but many others since the mid-50s;  the young policeman cannot physically tie Berek to the crimes but that doesn’t stop him trying.

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Last week, the writer’s group meeting provided a necessary distraction from my overstimulated libido. At the start of every year, we assign one person to ‘dungeon master’ a trio of guidelines for stories we’ll create and share only for the group.

This year’s components are Setting: Historical; Narrative: First-person; Theme: Vengeance. Queer characters are a constant – that’s our group dynamic.

Afterward, I sat at the bar and jotted down some preliminary ideas in my new plot-sketches notebook (I got a few as Hanukkah gifts).

Train operator Berek Kozak roams Soviet-controlled Poland and East Germany, hunting everyone on his ‘Kill List,’ from those who took him from his mother to every official that abused him.

First-person is weird, but I’ll meet the challenge since the components align well with my whole post-traumatic sexuality muse. I want to craft a screenplay, but the group wants prose fiction.

SCRIPT: FIRST 12 PAGES

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